There’s a place to hide from the damp, jam-packed<\/a> and wintry streets of Manchester on a Friday night. A Camden Town remedy against the silly Christmas jumpers on the street and the high heel parade heading to Deansgate’s swanky clubs and restaurants. At the Manchester Arena, you can see the other<\/em> parade. The nostalgic parade. The English renaissance of street fashion. Polo shirts, dark shades, trilby hats, Madness<\/strong> iconic red fez hats, Harrington jackets, tartan, braces, colourful long socks, straight-leg jeans, suited 50-year old Mancunians, shaved heads – self-inflicted or caused by the unforgivable passing of time – and a fashion ceremony featuring the archetypal Dr. Marten’s, Brutus, Levis’, Fred Perry, Lonsdale and Ben Sherman. The atmosphere is of pure celebration and joy. The lagers flow unceasingly and the arena is packed and ready for Madness’<\/strong> mass of ska, pop sensibility and R&B soundscapes combined with the habitual extravaganza of humour and eccentricity.<\/p>\n<\/iframe><\/p>\n<p style=\"text-align: justify;\">This is one of the most entertaining acts in England in the last 40 years; an institution when it comes to British pop music brewed in the dodgy streets and pubs of Camden Town in the late 70s. After 40 years, the London group seems to have it all: superb musicianship, the invincible groove, <em>the<\/em> catalogue, a quintessential English eccentricity, humour and the always welcomed street feel, even in those fancy suits!<\/p>\n<p style=\"text-align: justify;\">There’s vintage backdrop videos in black and white featuring London’s grimy streets, English classic films, and tributes on the gigantic screens to the likes of the recently deceased <strong>Prince Buster <\/strong>–<strong> Madness’<\/strong> prime influence – and <strong>Amy Winehouse<\/strong>. In between songs, <strong>Suggs<\/strong> chats constantly with the audience and mocks the Manchester swagger. The audience keeps gulping those pints of lager and preparing for the inevitable blast.<\/p>\n<p style=\"text-align: justify;\">The picks from<strong> <\/strong><em>Can’t Touch Us Now<\/em>, <strong>Madness’<\/strong> latest album, offer soundscapes that are hard to pigeonhole; there are dashes of R&B, pop, jazz, new wave and soul. Take the cabaretesque ‘Mr. Apples’; reminiscences to <strong>David Bowie <\/strong>and <strong>Bryan Ferry <\/strong>on ‘Blackbird’, an <strong>Amy Winehouse<\/strong> tribute; or the funky groove on ‘Good Times’.<\/p>\n<h5 style=\"text-align: center;\">Oh yeah,<br \/>\nThe wages of sin,<br \/>\nThere’s a big fat bloke trying to do me in,<br \/>\nWell I can’t hide and I can’t run,<br \/>\nHe’s chasing me around with an old shotgun<\/h5>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/0NKNGKNBYs0?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">It is with classic songs like ‘My Girl’ or ‘Embarrassment’ when <strong>Madness<\/strong> claims back their reign as a solid machinery of the ska groove and their unique skill to craft exquisite pop songs of an anthemic quality. Then, add<strong> Lee Thompson’s<\/strong> classy treatment on sax, <strong>Chris Foreman’s<\/strong> scratchy guitar strumming, <strong>Mike Barson’s<\/strong> up-front keyboards and <strong>Dan Woodgate’s<\/strong> drumming groove, and you have one of the most solid structures in British pop music.<\/p>\n<h5 style=\"text-align: center;\">Hey you, don’t watch that, watch this<br \/>\nThis is the heavy heavy monster sound<br \/>\nThe nuttiest sound around<br \/>\nSo if you’ve come in off the street<br \/>\nAnd you’re beginning to feel the heat<br \/>\nWell, listen buster<br \/>\nYou better start to move your feet<br \/>\nTo the rockinest, rock-steady beat<br \/>\nOf madness<br \/>\nOne step beyond<\/h5>\n<p style=\"text-align: justify;\">By the time that the soul-driven groove of ‘You Are My Everything’ ends, the arena turns into a perspiring jungle and the biggest ska dancefloor in the country. Immortal pieces sunk deep into the English status quo, such as ‘One Step Beyond’, ‘House Of Fun’, ‘Baggy Trousers’ and ‘Our House’, put things into perspective. There are countless pairs of DM’s tapping the floor. Sing-alongs. Wacky dances. Even strangers kissing each others’ shaved foreheads. By the time that ‘Night Boat To Cairo’ blasts the speakers, the place is an authentic nuthouse of ska extravaganza full of red fez hats, but it is time to go back to the damp, jam-packed and wintry streets of Manchester.<\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/N-uyWAe0NhQ?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h3 style=\"text-align: justify;\">SETLIST<\/h3>\n<h4 style=\"text-align: justify;\">Can’t Touch Us Now<br \/>\nEmbarrassment<br \/>\nThe Prince<br \/>\nNW5<br \/>\nMy Girl<br \/>\nHerbert<br \/>\nGood Times<br \/>\nWings of a Dove<br \/>\nCardiac Arrest<br \/>\nBlackbird<br \/>\nThe Sun and the Rain<br \/>\nYesterday’s Men<br \/>\nMumbo Jumbo<br \/>\nGrey Day<br \/>\nTomorrow’s Just Another Day<br \/>\nYou Are My Everything<br \/>\nOne Step Beyond<br \/>\nHouse of Fun<br \/>\nBaggy Trousers<br \/>\nOur House<br \/>\nIt Must Be Love<br \/>\nPlay Video<br \/>\n\/\/<br \/>\nMr. Apples<br \/>\nMadness<br \/>\nNight Boat to Cairo<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Madness’ mass of ska, pop sensibility and R&B soundscapes combined with the habitual extravaganza of humour and eccentricity.<\/p>\n","protected":false},"author":1,"featured_media":45319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[285,286,569],"tags":[795,793,794],"class_list":["post-45317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gigs","category-music","category-reviews","tag-2-tone","tag-madness","tag-ska"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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<\/iframe><\/p>\n<p style=\"text-align: justify;\">This is one of the most entertaining acts in England in the last 40 years; an institution when it comes to British pop music brewed in the dodgy streets and pubs of Camden Town in the late 70s. After 40 years, the London group seems to have it all: superb musicianship, the invincible groove, <em>the<\/em> catalogue, a quintessential English eccentricity, humour and the always welcomed street feel, even in those fancy suits!<\/p>\n<p style=\"text-align: justify;\">There’s vintage backdrop videos in black and white featuring London’s grimy streets, English classic films, and tributes on the gigantic screens to the likes of the recently deceased <strong>Prince Buster <\/strong>–<strong> Madness’<\/strong> prime influence – and <strong>Amy Winehouse<\/strong>. In between songs, <strong>Suggs<\/strong> chats constantly with the audience and mocks the Manchester swagger. The audience keeps gulping those pints of lager and preparing for the inevitable blast.<\/p>\n<p style=\"text-align: justify;\">The picks from<strong> <\/strong><em>Can’t Touch Us Now<\/em>, <strong>Madness’<\/strong> latest album, offer soundscapes that are hard to pigeonhole; there are dashes of R&B, pop, jazz, new wave and soul. Take the cabaretesque ‘Mr. Apples’; reminiscences to <strong>David Bowie <\/strong>and <strong>Bryan Ferry <\/strong>on ‘Blackbird’, an <strong>Amy Winehouse<\/strong> tribute; or the funky groove on ‘Good Times’.<\/p>\n<h5 style=\"text-align: center;\">Oh yeah,<br \/>\nThe wages of sin,<br \/>\nThere’s a big fat bloke trying to do me in,<br \/>\nWell I can’t hide and I can’t run,<br \/>\nHe’s chasing me around with an old shotgun<\/h5>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/0NKNGKNBYs0?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">It is with classic songs like ‘My Girl’ or ‘Embarrassment’ when <strong>Madness<\/strong> claims back their reign as a solid machinery of the ska groove and their unique skill to craft exquisite pop songs of an anthemic quality. Then, add<strong> Lee Thompson’s<\/strong> classy treatment on sax, <strong>Chris Foreman’s<\/strong> scratchy guitar strumming, <strong>Mike Barson’s<\/strong> up-front keyboards and <strong>Dan Woodgate’s<\/strong> drumming groove, and you have one of the most solid structures in British pop music.<\/p>\n<h5 style=\"text-align: center;\">Hey you, don’t watch that, watch this<br \/>\nThis is the heavy heavy monster sound<br \/>\nThe nuttiest sound around<br \/>\nSo if you’ve come in off the street<br \/>\nAnd you’re beginning to feel the heat<br \/>\nWell, listen buster<br \/>\nYou better start to move your feet<br \/>\nTo the rockinest, rock-steady beat<br \/>\nOf madness<br \/>\nOne step beyond<\/h5>\n<p style=\"text-align: justify;\">By the time that the soul-driven groove of ‘You Are My Everything’ ends, the arena turns into a perspiring jungle and the biggest ska dancefloor in the country. Immortal pieces sunk deep into the English status quo, such as ‘One Step Beyond’, ‘House Of Fun’, ‘Baggy Trousers’ and ‘Our House’, put things into perspective. There are countless pairs of DM’s tapping the floor. Sing-alongs. Wacky dances. Even strangers kissing each others’ shaved foreheads. By the time that ‘Night Boat To Cairo’ blasts the speakers, the place is an authentic nuthouse of ska extravaganza full of red fez hats, but it is time to go back to the damp, jam-packed and wintry streets of Manchester.<\/p>\n<p><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/N-uyWAe0NhQ?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h3 style=\"text-align: justify;\">SETLIST<\/h3>\n<h4 style=\"text-align: justify;\">Can’t Touch Us Now<br \/>\nEmbarrassment<br \/>\nThe Prince<br \/>\nNW5<br \/>\nMy Girl<br \/>\nHerbert<br \/>\nGood Times<br \/>\nWings of a Dove<br \/>\nCardiac Arrest<br \/>\nBlackbird<br \/>\nThe Sun and the Rain<br \/>\nYesterday’s Men<br \/>\nMumbo Jumbo<br \/>\nGrey Day<br \/>\nTomorrow’s Just Another Day<br \/>\nYou Are My Everything<br \/>\nOne Step Beyond<br \/>\nHouse of Fun<br \/>\nBaggy Trousers<br \/>\nOur House<br \/>\nIt Must Be Love<br \/>\nPlay Video<br \/>\n\/\/<br \/>\nMr. Apples<br \/>\nMadness<br \/>\nNight Boat to Cairo<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Madness’ mass of ska, pop sensibility and R&B soundscapes combined with the habitual extravaganza of humour and eccentricity.<\/p>\n","protected":false},"author":1,"featured_media":45319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[285,286,569],"tags":[795,793,794],"class_list":["post-45317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gigs","category-music","category-reviews","tag-2-tone","tag-madness","tag-ska"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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