{"id":4401,"date":"2014-07-11T22:46:41","date_gmt":"2014-07-11T21:46:41","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=4401"},"modified":"2014-07-12T10:32:33","modified_gmt":"2014-07-12T09:32:33","slug":"morrissey-world-peace-none-business","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/morrissey-world-peace-none-business\/","title":{"rendered":"Morrissey: World Peace Is None Of Your Business"},"content":{"rendered":"<h2 style=\"text-align: justify;\">Morrissey: World Peace Is None Of Your Business<\/h2>\n<h5>Alejandro De Luna<\/h5>\n<h5 style=\"text-align: justify;\">Review originally published for Gigslutz. READ IT FROM THE ORIGINAL SOURCE <a href=\"http:\/\/www.gigslutz.co.uk\/album-review-morrissey-world-peace-none-business\/\" target=\"_blank\">HERE<\/a>.<\/h5>\n<p style=\"text-align: justify;\">Can you think of\u00a0a pop star with a career and persona that evokes so many contradictory emotions in the public? Although <strong>Morrissey<\/strong> has his\u00a0die-hard haters, he\u00a0also attracts one of\u00a0the most devout\u00a0fan bases of all time. With\u00a0<strong>The Smiths<\/strong> between\u00a01982 and\u00a01987 he\u00a0has\u00a0an almost perfect back catalogue, but\u00a0after <strong>Johnny Marr<\/strong> abruptly left\u00a0the band, his solo career has seen several missteps\u00a0(do you remember\u00a0<em style=\"font-weight: inherit;\">Kill Uncle<\/em>?) Despite being\u00a0one of the most astute and lyrically gifted songwriters of all time, <strong>Morrisse<\/strong>y has\u00a0been rewarded\u00a0with minimum radio airplay in recent years, and a noticeable lack of commercial success, much to his chagrin. The list of things he hates is long: politics, the British Royal Family, Margaret Thatcher, animal cruelty, the music industry, the USA as a predatory empire, Mick Joyce, Johnny Rogan, abusive headmasters, gang lords\u2026 the list goes on and on.<\/p>\n<div class=\"entry-content\" style=\"color: #555555;\">\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">In essence,<strong> Morrisse<\/strong>y is still a punk who despises guitar-solo extravagances, albeit one who croons pop melodies and leans against\u00a0rock \u2018n\u2019 roll clich\u00e9s. It\u2019s clear the man is an eclectic engine of pertinent thoughts and an open encyclopedia of pop culture (from <strong>The New York Dolls<\/strong> to<strong> W.H. Auden<\/strong>), but he\u2019s also a mess\u00a0of contradictions, illnesses, cancellations and bad luck, all of which frame\u00a0the atmosphere around his\u00a0latest studio album. Preceded by a successful autobiography, a disastrous tour, health problems and five long years of anticipation due to the lack of a record label \u2013 a recurring theme\u00a0in Morrissey\u00b4s career\u00a0\u2013\u00a0<em style=\"font-weight: inherit;\">World Peace Is None Of Your Business<\/em>\u00a0arrives\u00a0with\u00a0questions surrounding whether it will be a last whiplash of genius or a\u00a0<em style=\"font-weight: inherit;\">You Are the Quarry<\/em>-like triumphant comeback.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">In 1988 <strong>Morrissey<\/strong> declared his hatred of\u00a0Thatcherism in \u2018Margaret On The Guillotine\u2019; almost three decades later, his lyrics\u00a0contain a similar\u00a0hate-filled rhetoric, though lack\u00a0either the credibility of his previous work, nor the eloquence of classics like \u2018The Queen Is Dead\u2019, \u2018Nowhere Fast\u2019 or even the politically controversial, \u2018The National Front Disco\u2019. \u201cThe rich must profit and get richer and the poor must stay poor\u201d, he sings in \u2018World Peace Is None Of Your Business\u2019 the opening track of his tenth\u00a0studio album. \u201cEach time you vote, you support the process\u201d, he continues while hiding in a 60s-esque crooning voice. But it doesn\u2019t sound quite right. Hence, it feels awkward and spurious. Like a rich man trying to woo\u00a0the crowd with a combination of demagogy and cheap rhetoric \u2013\u00a0just like politicians.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:track:37fKOuxTuCrRpLxkkGlODx\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">\u2018Earth Is The Loneliest Place\u2019 \u2013 a constant theme in<strong> Morrissey\u00b4s<\/strong> speech \u2013 is camouflaged between flamenco and Latin guitars while he prays that \u201chumans are not very humane\u201d. The Spanish-influenced \u2018The Bullfighter Dies\u2019 \u2013 <strong>Morrissey\u00b4s<\/strong> \u00a0second straight jab towards animal cruelty \u2013 helps the listener makes sense of\u00a0the singer\u2019s views on humanity\u2019s heartless nature, but once more the lyrical content is too weak, like dreadful poetry: (\u201cThe bullfighter dies and nobody cries because we all want the bull to survive\u201d). It all feels a bit clumsy for the man who once wrote \u2018This Charming Man\u2019 or \u2018Everyday Is Like Sunday\u2019.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:track:1O4BBlQwLPMmOQyzVrLtNk\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe>\u00a0<iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:track:5AemFP2MoIkdRkxlAFq8PW\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">\u2018Istanbul\u2019, one of the strongest tunes on the record, brings back the good old atmospheres of classics like \u2018Now My Heart Is Full\u2019. Comparable to \u2018Scandinavia\u2019 \u2013 a dark track that defines the desolation in\u00a0a parallel universe of utopian northern welfare \u2013 this Mediterranean story of a father and son constructed around prostitutes, gang lords and Turkish mayhem, confirms <strong>Morrissey\u00b4s<\/strong> 21st century obsession with places and cities as the epicenter for his melancholic poetry\u00a0(see\u00a0\u2018Mexico\u2019, \u2018Come Back To Camden\u2019 and \u2018America Is Not The World\u2019).<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:track:1cVdH20Lmy2CO9WqSZLZ0S\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe>\u00a0<iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/ipGvMelh3Mg?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">Beyond the opening four songs (all of which <strong>Morrissey<\/strong> introduced before the album was released with bizarre spoken-word videos) there is a pattern in several tracks: desolation,\u00a0death and a non conforming approach towards society. In \u2018Neal Cassady Drops Dead\u2019, the glam-rock guitars of\u00a0<em style=\"font-weight: inherit;\">Your Arsenal<\/em>\u00a0are back while Neal\u00b4s ex-lover and beat icon Allen Ginsberg\u2019s tears shampoo his beard and <strong>Morrissey<\/strong> emphasizes \u2013\u00a0once more \u2013 how much he despises children.\u00a0If the opening\u00a0tracks don\u2019t\u00a0do\u00a0justice to\u00a0<strong>Morrissey\u00b4s<\/strong> ability\u00a0as a storyteller, others certainly do.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\"><strong>Morrissey<\/strong> takes inspiration from the decadent and glamorous <strong>Jobriath\u2019s<\/strong> \u2018I\u00b4m A Man\u2019\u00a0to another level in one of the most memorable songs\u00a0he has written\u00a0in a very, very long time. Evocative of\u00a0ambitious tracks like \u2018Southpaw\u2019 or \u2018Life Is A Pigsty\u2019, and with an industrial <strong>David Lynch<\/strong>-like claustrophobic 1:30 minute kickoff, \u2018I\u00b4m Not A Man\u2019 smashes \u201cworkaholics\u201d, \u201cCasanovas\u201d, a \u201ctwo-fisted hombre\u201d, \u201cbeefaronis\u201d, planet destroyers and the macho man stereotype.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">Sonically and lyrically, \u2018Kick The Bride Down The Aisle\u2019 and \u2018Staircase At The University\u2019 are reminiscent of <strong>The\u00a0Smiths.<\/strong> The former is another of <strong>Morrissey\u00b4s<\/strong> open letters despising matrimony a la \u2018William It Was Really Nothing\u2019, while the latter doesn\u00b4t quite have the majesty of \u2018The Headmaster Ritual\u2019, where <strong>Morrissey<\/strong> attacked\u00a0the English education system. Here, the conclusion of the story is even worse: a suicidal student that just can\u00b4t stand the pressure anymore. On \u2018Smiler With Knife\u2019\u00a0things start to get serious; it\u2019s also\u00a0one of the weirdest tracks ever recorded by <strong>Morrissey.<\/strong> With a typical <strong>Boz Boorer<\/strong> guitar and unusual tempos and melodies, the track feels like a goodbye, a suicidal letter\u00a0of somebody \u201csick to death of life\u201d \u2013 an experience only comparable\u00a0to the desperation presented in <strong>The Smiths\u00b4<\/strong> \u2018Asleep\u2019.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">In \u2018Mountjoy\u2019 (Ireland\u00b4s largest prison), all hope is gone and despite the message where he defends the poor, it doesn\u00b4t matter anymore. \u201cRich or poor we all loose\u201d, cries\u00a0<strong>Morrissey,<\/strong> while acoustic guitars similar to \u2018Well I Wonder\u2019 or \u2018We\u00b4ll Let You Know\u2019 play over\u00a0verses\u00a0that\u00a0describe life in prison. But <strong>The Smiths\u00b4<\/strong>allusions do not end here. \u2018Oboe Concerto\u2019, recalls\u00a0the greatness of \u2018Death Of A Disco Dancer\u2019. A bass line as an intro, the same melody, fierce drums, and a rhythm that goes round and round \u2013 just brilliant.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">Leaving behind the desolation and gloomy passages that define\u00a0<em style=\"font-weight: inherit;\">WPINOYB<\/em>, \u2018Kiss Me A Lot\u2019 (or\u00a0\u2018Let Me Kiss You pt. 2\u2032) is a simple and straight-forward pop song that preserves\u00a0<strong>Morrissey\u00b4s<\/strong> well-known sexual ambiguity. Here, the embarrassment of being \u201csomeone that you physically despise\u201d is gone, and instead he demands\u00a0to be kissed \u201call over the place\u201d.<\/span><\/p>\n<p style=\"font-weight: inherit; font-style: inherit; text-align: justify;\"><span style=\"color: #000000;\">Much of\u00a0<em>World Peace Is None Of Your Business<\/em>\u00a0brings the listener\u00a0back to <strong>Morrissey\u00b4s<\/strong> classic catalogue: powerful melodies, allusions to <strong>The Smiths<\/strong>, pop culture references, a touch\u00a0of glam, wistful acoustic guitars, memorable and eloquent verses, brilliant jingles, humor combined with darkness and introspective moments a la\u00a0<em style=\"font-weight: inherit;\">Viva Hate<\/em>,\u00a0<em style=\"font-weight: inherit;\">Bona Drag,<\/em>\u00a0or\u00a0<em style=\"font-weight: inherit;\">Vauxhall and I. A<\/em>fter several listens\u00a0the album is ultimately satisfying, and unquestionably\u00a0a superior effort to the boisterous guitar-driven work in\u00a0<em style=\"font-weight: inherit;\">Years Of Refusal.<\/em><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>RELATED:<\/strong><\/span><\/p>\n<h4 style=\"text-align: justify;\"><a href=\"\/?p=3973\" target=\"_blank\">Morrissey, 55 years of pursuing intellect in recorded noise<\/a><\/h4>\n<h4 style=\"text-align: justify;\"><a href=\"\/?p=3821\" target=\"_blank\">Morrissey triumphant comeback?<\/a><\/h4>\n<h4 style=\"text-align: justify;\"><a href=\"\/?p=2353\" target=\"_blank\">The Smiths\u00b4 debut album<\/a><\/h4>\n<h4 style=\"text-align: justify;\"><a href=\"\/?p=4254\" target=\"_blank\">Jobriath &#8211; As The River Flows: The unreleased recordings (1971-72)<\/a><\/h4>\n<h5 style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">Like us on<\/span>\u00a0<a href=\"http:\/\/www.facebook.com\/thesenseofdoubt\" target=\"_blank\">Facebook<\/a>\u00a0<span style=\"color: #000000;\">and<\/span>\u00a0<a href=\"http:\/\/www.twitter.com\/thesenseofdoubt\" target=\"_blank\">Twitter<\/a><\/strong><\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>REVIEW ORIGINALLY PUBLISHED FOR GIGSLUTZ &#8211; Powerful melodies, allusions to The Smiths, pop culture references, a touch of glam, wistful acoustic guitars, memorable and eloquent verses, brilliant jingles, humor combined with darkness and introspective moments a la Viva Hate, Bona Drag, or Vauxhall and I [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[316,286,569],"tags":[358,357,637],"class_list":["post-4401","post","type-post","status-publish","format-standard","hentry","category-album-reviews","category-music","category-reviews","tag-morrissey-en","tag-the-smiths-en","tag-world-peace-is-none-of-your-business"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - 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