{"id":4254,"date":"2014-06-17T01:31:57","date_gmt":"2014-06-17T00:31:57","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=4254"},"modified":"2014-06-17T01:56:51","modified_gmt":"2014-06-17T00:56:51","slug":"jobriath-river-flows-unreleased-recordings-1971-72","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/jobriath-river-flows-unreleased-recordings-1971-72\/","title":{"rendered":"Jobriath \u2013 As The River Flows: the unreleased recordings (1971-72)"},"content":{"rendered":"<h2 style=\"text-align: justify;\"><strong>Jobriath \u2013 As The River Flows: the unreleased recordings (1971-72)\u00a0<\/strong><\/h2>\n<h5 style=\"text-align: justify;\"><em>Eschatone Records, June 2014<\/em><\/h5>\n<h5 style=\"text-align: justify;\">Alejandro De Luna<\/h5>\n<p><b>\u2605<\/b>\u00a0\u00a0<b>\u2605<\/b>\u00a0\u00a0<b>\u2605<\/b>\u00a0\u00a0<b>\u2605<\/b><\/p>\n<h4>The most tragic and underrated story in pop music?<\/h4>\n<p style=\"text-align: justify;\">If you think that <strong>David Bowie<\/strong>, next to <strong>Marc Bolan, The New York Dolls <\/strong>and<strong> Roxy Music<\/strong> pioneered glam rock and androgyny in music, well, it\u00b4s true, but you\u00b4re certainly not giving credit to this <em>graceful <\/em>and unlucky<em> man<\/em>\u2026<\/p>\n<p style=\"text-align: justify;\"><a class=\"http:\/\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/movies.box_.jobriath.widea_.jpg\" href=\"https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/movies.box_.jobriath.widea_.jpg\" rel=\"attachment wp-att-4261\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4261 size-full\" src=\"https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/movies.box_.jobriath.widea_.jpg?resize=622%2C455\" alt=\"jobriath \/\/ TSOD \" width=\"622\" height=\"455\" data-wp-pid=\"4261\" \/><\/a>Meet one of the most underrated, tragic and obscure artists of all time. Meet an <em>elegant man<\/em>, who lived (and died) like a New York segregated drag queen, and without the opportunity to fully show his talent covered in stray glamour and sexual ambiguity.<\/p>\n<p style=\"text-align: justify;\">Meet the first openly gay rockstar of all time that was too advanced to its generation. Meet the <em>fragile man<\/em> that was\u00a0too damn real \u2013 maybe still too real \u2013 for being even poorly successful or recognized by the\u00a0greediness of the\u00a0music industry and homophobic journalists.<\/p>\n<p style=\"text-align: justify;\">Meet a pioneer with a unique perspective in music, art and life detonated by an overdose of glitter and doom, theatrics with a Broadway-like approach, nudity, androgyny, tons of cheap make up and paraphernalia, a savage past, tragedy and a wonderful voice embellished with a heartbreaking piano and glam-like gaudy guitars.<\/p>\n<p style=\"text-align: justify;\">Meet <strong>Jobriath<\/strong>, the timeless artist that lived in the vault of degradation and discrimination for decades. Meet<strong> Jobriath\u00b4s<\/strong>\u00a0music, a collection of immaculate and timeless recordings that were disfavored and forgotten till the judge of time fairly brings honor and pays his respects to the legacy of a tremendous\u00a0artist.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/HXks3Xjydh0?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">The story goes like this. Born <strong>Bruce Wayne Campbell<\/strong> in 1946 in Pennsylvania, this classically trained pianist and tormented soul trapped in the invisible prison of American conservatism and double morality, migrated in the early 70s to the sleazy\u00a0streets of Manhattan where he started working as a hustler\u00a0while acting and playing piano for a friend\u00b4s theatre show. With a handful of outtakes, a drag-like appeal and renamed\u00a0<strong>Jobriath<\/strong>, our <em>fragile man<\/em><strong>\u00a0<\/strong>got signed by <em>Elektra Records. <\/em>The deal\u00a0materialized with <em>Jobriath<\/em> (1973) and <em>Creatures Of The Street<\/em> (1975), two of the most obscure (and essential) albums from\u00a0the 70s that could be easily compared with gems\u00a0like <em>The Rise and Fall of Ziggy Stardust and The Spiders from Mars<\/em>, <em>Roxy Music<\/em> or <em>Electric Warrior<\/em>.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:album:2yQtSuU9flHpz4LbeNVfKT\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe>\u00a0<iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:album:6xX8Zrgh4BZ43rB7yUx05B\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">But the world was not ready for <strong>Jobriath<\/strong> so they kicked him out of the label. Then he retreated to a cabaret under the name of <strong>Cole Berlin<\/strong> and worked as a prostitute in the streets of New York until he lost the battle against AIDS in 1983. He never saw a piece of recognition. Life\u00b4s fair?<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>Although masterfully talented, <strong>Jobriath<\/strong> has already been laughed off the face of the planet (this one, and quite possibly other planets, too) as a beautiful blunder whose lyrics read like and exchange of under-the-dryer face pack gossip. On every level, the press work against him, and his name is generally only heard as a punch line. My duty is to run to his rescue, and thankfully he makes it all worthwhile<\/em> \u2013 <strong>Morrissey<\/strong><\/p>\n<\/blockquote>\n<h4><strong>Jobriath \u2013 As The River Flows<\/strong><\/h4>\n<p><a class=\"http:\/\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/a3857574067_10.jpg\" href=\"https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/a3857574067_10.jpg\" rel=\"attachment wp-att-4255\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4255 size-full\" src=\"https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2014\/06\/a3857574067_10.jpg?resize=1140%2C1140\" alt=\"Jobriath \/\/ TSOD\" width=\"1140\" height=\"1140\" data-wp-pid=\"4255\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Life isn\u00b4t fair and <strong>Jobriath\u00b4s<\/strong> the best example, but to celebrate his legacy, <a href=\"http:\/\/music.eschatone.com\/\"><em>Eschatone Records<\/em><\/a>\u00a0just released\u00a0the most important piece of recorded noise that came to my hands in a long time.\u00a0After releasing <a href=\"http:\/\/open.spotify.com\/album\/6MHfRGUnHqsewVY1dSOUWM\"><em>Amazing Dope Tales<\/em><\/a>,\u00a0<strong>Jobriath\u00b4s<\/strong> three-song, 10\u201d vinyl last fall, this NY record label\u00a0brings a more ambitious project that \u00a0beautifully presents the glitter and tragedy of<strong> Jobriath.<\/strong><\/p>\n<p style=\"text-align: justify;\">This is\u00a0<strong>Jobriath\u00b4s<\/strong> major release in four decades and his\u00a0first full-length album of previously unreleased recordings from 1971-72 \u2013 definitely an\u00a0essential piece of underrated pop culture and <strong>Jobriath\u00b4s<\/strong> most<em>\u00a0<\/em>honest and raw collection of songs from his unfortunate career. And it comes beautifully presented in three editions: the digital download for the practical listeners; a CD in a seductive\u00a0digipack, and an outstanding 180-gram, deluxe limited-edition (500) vinyl full of hidden goodies for the nostalgic ones. Certainly a must have.<\/p>\n<p style=\"text-align: justify;\"><em>As The River Flows <\/em>revives\u00a0<em>this <\/em>New York cabaretesque street feeling that artists like <strong>The Velvets, Lou Reed <\/strong>or<strong> The New York Dolls<\/strong> achieved while outlining social decadence, prostitution and drug abuse.\u00a0Half of the tracks include a full piece band of pink glam-like glamour while the other half\u00a0captures a lonesome<strong> Jobriath<\/strong> at his darkest and more virtuosic at the piano while he throw\u00a0eloquent\u00a0stories on dope, money, fame, sex, and homosexuality.<\/p>\n<p style=\"text-align: justify;\">From the cabaretesque &#8216;Duck Lullaby&#8217;, to &#8216;Amazing Dope Tales&#8217;, a song that could easily fit into<b>\u00a0Lou Reed\u00b4s <\/b>early\u00a0amphetamine fueled\u00a0catalogue that mutates\u00a0into an scat singing anthem about smack. From &#8216;Imamam&#8217;, a <strong>Jobriath\u00b4s<\/strong> classic reinvented in\u00a0a piano driven piece where his own description as\u00a0an <em>elegant\u00a0man waiting to love another man<\/em>, gains in hysteria\u00a0while his voice diminishes\u00a0as it fulfills his obsessions with classical music, to &#8216;So Long Miss Jagger&#8217;, a<strong> Jerry Lee Lewis<\/strong>-esque track embellished by its piano driven madness of \u00a0primitive rock &#8216;n&#8217; roll.<\/p>\n<p style=\"text-align: justify;\">But where <strong>Jobriath<\/strong> gets more serious, vulnerable and at his darkest, is with songs like &#8220;Little Dreamer&#8221;, a tragic ballad about the passing of time and money that could certainly beat some of <strong>Bowie\u00b4s<\/strong> <em>Hunky Dory<\/em> best tracks. And what about this new version of &#8216;Inside&#8217; or &#8216;City Freak&#8217;\u00a0that sound like if <strong>Elton John<\/strong> lost his mind.<\/p>\n<p style=\"text-align: justify;\">Yes, you will remember <strong>Bowie\u00b4s<\/strong> best stuff when you listen to <em>As The River Flows,\u00a0<\/em>but with a sense of rawness and sincerity that you cannot find in the London boy. And yes, it\u00b4s true that <strong>Bowie<\/strong>\u00a0brought the sensual androgyny and lustful horror show to a massive\u00a0level, but <strong>Jobriath<\/strong>\u00a0was the real thing. Basically, he\u00b4s what <strong>Bowie<\/strong> wanted to achieve in customs. Let\u00b4s put it this way: <strong>Bowie<\/strong> reflected the glitter and doom with an alter ego, but <strong>Jobriath<\/strong>\u00a0didn\u00b4t have any. He was the\u00a0nitty-gritty of glam rock. Too damn real for <strong>Bowie\u00b4s<\/strong>\u00a0plastic eccentricities and too damn real for all of us. And\u00a0<em>As The River Flows<\/em> is a proof of this.<\/p>\n<p style=\"text-align: justify;\">Where\u00b4s my glitter, high heels and lipstick?<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:album:0u2PYwUsnAkPo8V1aFwdj2\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2605  \u2605  \u2605  \u2605 If you think that David Bowie, next to Marc Bolan, The New York Dolls and Roxy Music pioneered glam rock and androgyny in music, well, it\u00b4s true, but you\u00b4re certainly not giving credit to Jobriath, this graceful and unlucky man\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[316,485,286,569],"tags":[440,373,619,358,620,374],"class_list":["post-4254","post","type-post","status-publish","format-standard","hentry","category-album-reviews","category-features","category-music","category-reviews","tag-david-bowie-en","tag-glam-en","tag-jobriath-en","tag-morrissey-en","tag-new-york","tag-sex"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jobriath \u2013 As The River Flows: the unreleased 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