{"id":3257,"date":"2014-03-29T15:00:21","date_gmt":"2014-03-29T15:00:21","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=3257"},"modified":"2014-05-21T21:56:28","modified_gmt":"2014-05-21T20:56:28","slug":"interpol-brixton-academy-2","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/interpol-brixton-academy-2\/","title":{"rendered":"Interpol @ Brixton Academy, London"},"content":{"rendered":"<h2 style=\"text-align: justify;\"><span style=\"color: #ff0000;\">Interpol @ Brixton Academy, London<\/span><\/h2>\n<h5 style=\"text-align: justify;\"><span style=\"color: #ff0000;\">Alejandro De Luna<\/span><\/h5>\n<h5 style=\"text-align: justify;\"><span style=\"color: #ff0000;\">Photo: <a href=\"http:\/\/www.thisisfakediy.co.uk\/articles\/photos\/interpol-brixton-academy-london\/P5\/\"><span style=\"color: #ff0000;\">Carolina Faruolo for DIY<\/span><\/a><\/span><\/h5>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8216;But each night, I bury my love around you&#8230;&#8217;,\u00a0<strong>Paul Banks\u00b4s\u00a0<\/strong>baritone explodes in &#8220;Say hello to the angels&#8221;, an impeccable classic from their full-length debut and opening track at the legendary Brixton Academy where the smell of rancid beer spilled on the floor, the Trainspotting-like filthiness in\u00a0bathrooms, the smoke of cannabis that moves into my airspace and the art- deco splashing the walls that sweat nothing but pure history. But before a great show full of classics, <strong>Circa Waves, Royal Blood <\/strong>and<strong> Temples\u00a0<\/strong>were responsible for trying to make the clock ticking faster until 21:40 when the bright lights went out for\u00a0<strong>Interpol\u00b4s\u00a0<\/strong>comeback to the British capital\u00a0preceding the delivery of its fifth full-length effort.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong>Interpol<\/strong> knows that their first two albums are their\u00a0best and they make this statement visible in the current live set. And they know that despite of not having a round album in the last 10 years, live they are effective, magnificent and damn lethal. Gems like &#8220;Not even jail&#8221;, &#8220;Hands Away&#8221;, &#8220;C&#8217;mere&#8221;, &#8220;PDA&#8221;, &#8220;Slow hands&#8221;, &#8220;Take you on a cruise&#8221;, &#8220;Obstacle 1 &#8221; or &#8220;NARC&#8221;; are just pure evidence of an untouchable legacy during the early years of their career.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/FhW0-r004b4?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/AgKMRbbuE_k?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/7jmboBxY1NI?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">The dose at Brixton Academy: five hymns from their first album (2002), six from the essential <em>Antics<\/em> (2004), only one song from <em>Our Love To Admire<\/em> (2007) and <em>Interpol<\/em> (2007) and three new tracks from their upcoming fifth achievement where &#8220;My desire&#8221; stands out with a maddening\u00a0riff that accompanies <strong>Banks<\/strong> as he painfully sings &#8216;you are my desire, \u00a0I&#8217;m a frustrated man&#8217;.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/sCINkuGruIw?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">There&#8217;s something special about the sound and aesthetics of <strong>Interpol<\/strong> which makes me think of quadratures, straight lines, accuracy and &#8220;mathematical&#8221; precision. Something similar to what happens when I listen to <strong>Kraftwerk<\/strong>\u00a0where the aesthetics of the group, their show and the music come altogether to create a kind of numerical sonic exercise.<\/p>\n<p style=\"text-align: justify;\">With <strong>Interpol<\/strong>, the &#8216;mathematical&#8217; experience is collateral: The aesthetics of the group. The immutability in their expressions. The lights that do not vary between a funereal black and red. The minimalism of their sound that gets overwhelmed by the melancholy of noise followed by the rhythm section \u2013 the core of the &#8220;mathematical&#8221; exercise.\u00a0<strong>Carlos Dengler\u00b4s\u00a0<\/strong>departure is filled and executed with respect by\u00a0<strong>Brad Truax<\/strong>\u00a0on bass &#8211; touring with\u00a0<strong>Interpol<\/strong>\u00a0since 2010.\u00a0<strong>Sam Fogarino\u00b4s<\/strong>\u00a0accuracy on drums gets exalted by the gloomy atmosphere of space rock and krautrock obsessed\u00a0<strong>Brandon Curtis (<\/strong><strong>The Secret Machines<\/strong>)\u00a0on\u00a0keyboards.\u00a0<strong>Banks\u00b4s<\/strong> wrenching guitar and dark baritone\u00a0accompanied with <strong>Daniel Kessler\u00b4s <\/strong>six strings. and<\/p>\n<p style=\"text-align: justify;\"><span style=\"line-height: 1.5em;\">Everything comes together to create an experience that makes me see music like a geometric figure where accuracy is essential.\u00a0The result: a great setlist, denser textures, infallible precision and the unsurpassed implementation of the sonic &#8220;mathematical&#8221; exercise. Is this <\/span><strong style=\"line-height: 1.5em;\">Interpol\u00b4s<\/strong><span style=\"line-height: 1.5em;\"> best live version or is just pure nostalgia clouding my ideas?<\/span><\/p>\n<p style=\"text-align: justify;\">I&#8217;d forgotten how much I appreciate listening to\u00a0<strong>Interpol.\u00a0<\/strong>The last time I saw them was in 2010 in Mexico City and then I lost track of them. Their albums got dusted and their music abandoned.<\/p>\n<p style=\"text-align: justify;\">That will never happen again.<\/p>\n<p style=\"text-align: justify;\"><strong>Setlist<\/strong><\/p>\n<ol>\n<li>\n<div><a title=\"Statistics for Say Hello to the Angels by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Say+Hello+to+the+Angels\">Say Hello to the Angels<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Evil by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Evil\">Evil<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for C'mere by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=C%27mere\">C&#8217;mere<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for My Desire by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=My+Desire\">My Desire<\/a>\u00a0(NEW)<\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for The Heinrich Maneuver by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=The+Heinrich+Maneuver\">The Heinrich Maneuver<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Not Even Jail by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Not+Even+Jail\">Not Even Jail<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Anywhere by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Anywhere\">Anywhere<\/a>\u00a0(NEW)<\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Narc by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Narc\">Narc<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Take You on a Cruise by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Take+You+on+a+Cruise\">Take You on a Cruise<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for All The Rage Back Home by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=All+The+Rage+Back+Home\">All The Rage Back Home<\/a>\u00a0(NEW)<\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Hands Away by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Hands+Away\">Hands Away<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for PDA by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=PDA\">PDA<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Slow Hands by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Slow+Hands\">Slow Hands<\/a><\/div>\n<\/li>\n<\/ol>\n<p>Encore<\/p>\n<ol>\n<li value=\"14\">\n<div><a title=\"Statistics for Lights by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Lights\">Lights<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Stella Was a Diver and She Was Always Down by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Stella+Was+a+Diver+and+She+Was+Always+Down\">Stella Was a Diver and She Was Always Down<\/a><\/div>\n<\/li>\n<li>\n<div><a title=\"Statistics for Obstacle 1 by Interpol\" href=\"http:\/\/www.setlist.fm\/stats\/songs\/interpol-2bd6982e.html?song=Obstacle+1\">Obstacle 1<\/a><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: right;\"><span style=\"font-size: 0.75em; line-height: 1.5em;\">I do not own the rights for this image, email us if you want anything credited or removed.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;But each night, I bury my love around you&#8230;&#8217;, Paul Banks\u00b4s baritone explodes in &#8220;Say hello to the angels&#8221;, an impeccable classic from their full-length debut and opening track at the legendary Brixton Academy&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[285,286],"tags":[445,300],"class_list":["post-3257","post","type-post","status-publish","format-standard","hentry","category-gigs","category-music","tag-interpol-en","tag-london-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Interpol @ Brixton Academy [GIGS] \/\/ TSOD<\/title>\n<meta name=\"description\" content=\"&#039;But each night, I bury my love around you...&#039;, Paul Banks\u00b4s baritone explodes in &quot;Say hello to the angels&quot;, an impeccable classic from their full-length debut and opening track at the legendary Brixton Academy where the smell of rancid beer spilled on the floor, the Trainspotting-like filthiness in bathrooms, the smoke of cannabis that moves into my airspace and the art- deco splashing the walls that sweat nothing but pure history; 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