{"id":2405,"date":"2014-02-26T09:01:53","date_gmt":"2014-02-26T15:01:53","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=2405"},"modified":"2016-12-10T22:12:19","modified_gmt":"2016-12-10T22:12:19","slug":"transformer-aspects-of-travesty-richard-saltoun-gallery-london","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/transformer-aspects-of-travesty-richard-saltoun-gallery-london\/","title":{"rendered":"Transformer: Aspects of Travesty @ Richard Saltoun Gallery, London"},"content":{"rendered":"
Photo: J\u00fcrgen Klauke, 1973<\/h5>\n

Transformer: Aspects of Travesty @ Richard Saltoun Gallery, London<\/span><\/h2>\n
Alejandro De Luna<\/span><\/h5>\n

\u201cTransformer looks back at the 70s contemporary society and art practice, considering the aspects of transvestism and sexual self-reflection in art. The exhibition takes its title from the seminal 1972 album by Lou Reed<\/strong>, finding its parallel in the worlds of fashion and glam rock.\u201d<\/i><\/p>\n

Transformer: Aspects of Travesty<\/strong>, curated by Giulia Casalini<\/strong>,\u00a0includes the work from the following artists:<\/p>\n

Luciano Castelli (Switzerland)<\/strong><\/p>\n

J\u00fcrgen Klauke (Germany)<\/strong><\/p>\n

Urs L\u00fcthi (Switzerland)<\/strong><\/p>\n

Pierre Molinier (France)<\/strong><\/p>\n

Tony Morgan (UK)<\/strong><\/p>\n

Luigi Ontani (Italy)<\/strong><\/p>\n

Walter Pfeiffer (Switzerland)<\/strong><\/p>\n

Andrew Sherwood (USA)<\/strong><\/p>\n

Katharina Sieverding (Czech Republic)<\/strong><\/p>\n

Werner Alex Meyer (Switzerland)<\/strong><\/p>\n

The Cockettes (USA)<\/strong> Andy Warhol (USA)<\/strong><\/p>\n

The 70s: Where drags and art merged\u00a0<\/b><\/h3>\n

Despite the conservative sectors in the US and the European society, the 70s was a decade that embraced sexual ambiguity, physical exploration and true identity. It was also a decade where sexual aesthetics were influenced by drugs, rock music, fashion, art and cinema;\u00a0played with sexual duality, ideals of freedom and fetishistic androgyny within the male sexuality to offer a valid escape or personal encounter in the shape of travesty and drag performance.<\/p>\n

Some aspects that developed the queer culture during the 70s:<\/p>\n

1. Lou Reed\u00b4s<\/strong> lyrical genius spoke freely for the first time in rock music about prostitution, sadomasochism, drug addiction and sexual kinkiness.<\/p>\n

2. Bowie\u00b4s <\/strong>glam with androgynous alter-egos like Ziggy Stardust <\/strong>and Aladdin Sane<\/strong> redefined the image of a rockstar and transformed it as a sexual desirable glamorous icon.\u00a0<\/span><\/p>\n

3. The New York Doll<\/strong>s.\u00a0Described by Morrissey<\/strong> as “the most perfect looking pop group.” This gang of “losers” \u00a0looking like New York crack addict prostitutes with a dark past and \u00a0no other future rather than to bring homage to rock ‘n’ roll decadence with their tragic lives, androgynous looks and proto-punk noise.<\/p>\n

4. Andy Warhol<\/strong> was one of the main supporters of \u00a0the queer culture.\u00a0\u00a0With The Factory as a laboratory for uncensored self-expression; with movies like\u00a0Flesh, Women in Revolt\u00a0<\/em>or\u00a0Trash\u00a0<\/em>redefining the queer culture and always surrounded by glamorous personalities and the self- called ‘Warhol Superstars’ crew including various transvestites protegees and queer icons like\u00a0Jackie Curtis <\/strong>(film actor and performer), Candy Darling\u00a0<\/strong>(transgender film actress. She appears on the cover of\u00a0The Smiths\u00b4s <\/strong>\u2018Sheila Take A Bow\u2019\u00a0and mentioned in Lou Reed\u00b4s<\/strong>\u00a0‘Walk On The Wild Side’ and ‘Candy Says’) and\u00a0Wayne County<\/strong>\u00a0(transsexual punk singer and film actress).<\/p>\n

The 70s; a decade of sexual ambiguity, artistic freedom and self-reflection in art towards the morality of being true to yourself beyond anything else.<\/p>\n

\"warhol\/<\/a><\/p>\n

\"Candy+Darling1\"<\/a><\/p>\n

\"article-2243906-1660ACEA000005DC-270_964x576\"<\/a><\/p>\n

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\"jackie-curtis-by-mitchell\"<\/a><\/p>\n

Candy came from out on the island, in the backroom she was everybody’s darling, but she never lost her head even when she was giving head\u00a0(Lou Reed, Take A Walk On The Wild Side)<\/strong><\/em><\/p>\n

<\/h5>\n","protected":false},"excerpt":{"rendered":"

\u201cTransformer looks back at the 70s contemporary society and art practice, considering the aspects of transvestism and sexual self-reflection in art. 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