{"id":2297,"date":"2014-02-19T05:16:41","date_gmt":"2014-02-19T11:16:41","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=2297"},"modified":"2014-05-21T21:54:57","modified_gmt":"2014-05-21T20:54:57","slug":"prince-ronnie-scotts-1st-show","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/prince-ronnie-scotts-1st-show\/","title":{"rendered":"Prince & 3rdEyeGirl @Ronnie Scott\u00b4s (1st Show)"},"content":{"rendered":"

Prince @Ronnie Scott\u00b4s (1st Show)<\/span><\/h2>\n
Alejandro De Luna<\/span><\/h5>\n

Prince\u00b4s<\/strong>\u00a0legendary gig at\u00a0Ronnie Scott\u00b4s<\/em>\u00a0was the most intimate from the incredible\u00a0Hit & Run Tour<\/i>\u00a0with around 200 lucky (and devoted) fans that queued for more than 12 hours and a guest list with the likes of\u00a0Noel Gallagher, Adele, Nile Rodgers,\u00a0<\/strong>Stephen Fry\u00a0<\/strong>and\u00a0Kate Moss<\/strong>.<\/p>\n

Sitting on keyboards, the purple wizard proved his unquestionable talent to shine with a completely different set. His unique ability to reinvent himself with a jazzy, soulful set and a handful of classics, confirmed (once again) nothing but\u00a0Prince\u00b4s<\/strong>\u00a0genius beyond any question.<\/p>\n

Soho was one of the artistic heartbeats of London and the world that since the mid 18th century attracted artists, poets, travesties, prostitutes, musicians and free thinkers that gave a bohemian vibe in the area. And despite a lot of things changed, there are still some venues and corners that preserve the good history. One of those places is: Ronnie Scott\u00b4s.<\/em><\/p>\n

\"la<\/a>Ronnie Scott\u00b4s<\/em> is a club full of mysticism, bohemian decadence and a venue that sweats history, work and art. It is one of the best jazz clubs in the world and one of the most legendary venues in London. From Nina Simone, Curtis Mayfield, Ella Fitzgerald <\/strong>to Miles Davis, Louis Armstrong <\/strong>and Glenn Miller<\/strong>. All the greats played here. With neon lights and posters announcing the long list of upcoming sold-out gigs. With Wolfgang Amadeus Mozart\u00b4s<\/strong> former historic home marked with a blue plaque just in front of the club for making this site even more eclectic and with a rainy cold night above us waiting for the purple wizard to give one of his most unique and personal shows. This was a night to remember.<\/p>\n

Twelve hours queuing brings out the best and worst in people. It is interesting as a social experiment to see how people connect with each other after such a long time. People from different parts of the world; beer and wine; cigarettes; cheap sandwiches and fights within the crowd as a consequence of tension, anger, hunger, cold and probably too many beers. But all with the same goal: to be in Ronnie Scott’s<\/em> and to be part \u2013 at least for an hour or more \u2013 of history.<\/p>\n

\"BgsZ2dsCcAAFdOq\"<\/a>Around midnight, the gates finally opened. <\/span>Marcus Anderson\u00b4s<\/strong> sax\u00a0and<\/span> Prince<\/strong> sitting on keyboards and synthesizers instead of leading with guitar, made all clear that this show was different. Not the monstrous guitar jams and Hendrix-like solos like on the other gigs for tonight. This was more special, intimate and it was time to pay respect with a different set to a venue that has been giving so much to real music.<\/span><\/p>\n

Almost 10 minutes that included a jazzy jam; \u201cLiathacth\u201d; and the unreleased instrumental \u201cShade Of Umber\u201d and Prince<\/strong> didn\u2019t say a word neither sang a note until a bluesy solo from Donna Grantis<\/strong> exploded into an intimate version of 1987\u00b4s classic \u201cI Could Never Take The Place of Your Man\u201d followed by another sax that lead to \u201cBeautiful Strange\u201d with Prince\u00b4s<\/strong> voice at his best. It was like if the genius of Marvin Gaye, Sam Cooke <\/strong>and Al Green<\/strong> surrounded him in a strangely beautiful moment.<\/p>\n

The intimate set continued and twisted into funk with a pair of tributes to Bill Withers<\/strong>\u00a0and \u00a0Sly & The Family Stone.\u00a0<\/strong>\u201cShould we take you back to the 80s?\u201d <\/i>said the purple wizard\u00a0and a set of favourites started with a medley that included \u201cTake Me With You\u201d; \u201cRaspberry Beret\u201d and \u201cCool\u00b4s\u201d funk.<\/p>\n

First encore consisted of\u00a0Prince\u00b4s<\/strong> more personal songs: \u201cDo Me, Baby\u201d with a unique falsetto and a heartbreaking piano that lead into another medley that included other favourites like \u201cDiamonds and Pearls\u201d, \u201cThe Beautiful Ones\u201d, \u201cThe Most Beautiful Girl In The World\u201d and \u201cHow Come U Don\u00b4t Call Me Anymore\u201d.<\/p>\n

The brilliant \u201cSomething In The Water (Does Not Compute)\u201d from 1982; a\u00a0cover from The Waterboys<\/strong> and \u201cPurple Rain\u201d, ended the legendary night with Prince\u00b4s\u00a0<\/strong>expected but unwanted phrase due to the fans still waiting outside the venue: \u201cWe have other family members that want to come inside but thank you all. Good Night\u201d, <\/i>and that was it. 80 minutes from the master sitting on keyboards and offering jazz, soul, funk and blues passages to an exhausted crowd. One of the most brilliant live sets I ever witnessed. My only complain: Too short.<\/p>\n

One of the most sensitive artists of all time.\u00a0A genius, a star. An artist that can play any kind of music.\u00a0Once again<\/a>, Prince<\/strong>\u00a0is something we will never comprehend.<\/p>\n

Setlist<\/h4>\n

‘Liathach’ (Jo Hamilton cover)<\/p>\n

‘Shade Of Umber’<\/p>\n

‘I Could Never Take The Place Of Your Man’<\/p>\n

‘Beautiful Strange’<\/p>\n

‘Who Is He And What Is He 2 U?’ (Bill Withers Cover)<\/p>\n

‘Sex Machine’ (Sly & The Family Stone Cover)<\/p>\n

‘Take Me With You’<\/p>\n

‘Raspberry Beret’<\/p>\n

‘Cool’ (The Time cover)<\/p>\n

FIRST ENCORE<\/strong><\/p>\n

‘Do Me Baby’<\/span><\/p>\n

‘Diamonds And Pearls’<\/p>\n

‘The Beautiful Ones’<\/p>\n

‘The Most Beautiful Girl In The World’<\/p>\n

‘How Come U Don\u00b4t Call Me Anymore’<\/p>\n

‘Something In The Water (Does Not Compute)’<\/p>\n

SECOND ENCORE<\/strong><\/p>\n

‘The Whole Of The Moon’ (The Waterboys cover)<\/p>\n

‘Purple Rain’<\/p>\n

<\/h5>\n","protected":false},"excerpt":{"rendered":"

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