{"id":195,"date":"2013-03-07T15:55:58","date_gmt":"2013-03-07T21:55:58","guid":{"rendered":"http:\/\/thesenseofdoubt.wordpress.com\/?p=195"},"modified":"2016-12-10T22:42:35","modified_gmt":"2016-12-10T22:42:35","slug":"bowie-10-tracks-indispensables-mas-alla-de-lo-obvio-1970-1979","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/bowie-10-tracks-indispensables-mas-alla-de-lo-obvio-1970-1979\/","title":{"rendered":"Bowie: 10 tracks indispensables m\u00e1s all\u00e1 de lo obvio (1970-1979)"},"content":{"rendered":"<p><!--:es--><a href=\"http:\/\/thesenseofdoubt.files.wordpress.com\/2013\/03\/1357653848_david_bowie_masayoshi_sukita_01-700x1000.jpeg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-200\" src=\"http:\/\/thesenseofdoubt.files.wordpress.com\/2013\/03\/1357653848_david_bowie_masayoshi_sukita_01-700x1000.jpeg?w=210&#038;resize=210%2C300\" alt=\"1357653848_david_bowie_masayoshi_sukita_01-700x1000\" width=\"210\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2013\/03\/1357653848_david_bowie_masayoshi_sukita_01-700x1000.jpeg?resize=700%2C1000 700w, https:\/\/i0.wp.com\/www.thesenseofdoubt.com\/wp-content\/uploads\/2013\/03\/1357653848_david_bowie_masayoshi_sukita_01-700x1000.jpeg?resize=210%2C300 210w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><\/p>\n<p><strong>David Bowie<\/strong> ha regresado despu\u00e9s de 10 a\u00f1os de silencio art\u00edstico y como homenaje, una revisi\u00f3n a su obra:<\/p>\n<p>Es imposible seleccionar \u00fanicamente 10 tracks en un artista tan prol\u00edfico, propositivo, conceptual, irreverente y camale\u00f3nico como <strong>David Bowie <\/strong>pero aqu\u00ed encontrar\u00e1n algunas de sus mejores obras del periodo de 1970 a 1979; el cual es, sin lugar a dudas, su c\u00faspide en cuanto a creaci\u00f3n art\u00edstica y re inventiva. La era de <strong>Bowie<\/strong> en los 70\u00b4s \u00a0abarca g\u00e9neros tan diversos como psicodelia y folk, glam, soul\/funk, m\u00fasica electronica, ambiental y experimental. Debajo, una disecci\u00f3n cronologica de su evoluci\u00f3n art\u00edstica:<\/p>\n<p><b>1. The Supermen <\/b>\u2013\u00a0<b>\u00a0<\/b><b>(The Man Who Sold The World &#8211; 1970)\u00a0<\/b>Una de sus canciones m\u00e1s oscuras en uno de sus discos m\u00e1s sombr\u00edos. En &#8220;The Supermen&#8221;,<strong> Bowie<\/strong> hace referencia a la filosof\u00eda \u00a0Nietzcheana que est\u00e1 presente durante la mayor parte del \u00e1lbum. El t\u00e9rmino de \u201cSuperhombre\u201d planteado por el alem\u00e1n en el libro \u201cAsi habl\u00f3 Zaratustra\u201d y la interpretaci\u00f3n de <strong>Bowie<\/strong>, nos presenta una versi\u00f3n apocal\u00edptica de las vida y un discurso entre lo banal y la inmortalidad.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/Jkc1a9v0jkI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><b>2. Queen Bitch <\/b><b>(Hunky Dory &#8211; 1971)\u00a0<\/b>Un gran riff del m\u00edtico <strong>Mick Ronson<\/strong> y la letra seudo-cantada de <strong>Bowie<\/strong> como homenaje a <strong>The Velvet Underground<\/strong>,\u00a0\u00a0hacen de &#8220;Queen Bitch&#8221; uno de los mejores tracks en la vasta selecci\u00f3n del artista y una indispensable del glam Rock (no se confunda con el abominable g\u00e9nero americano ochentero llamado Hair Metal). Con un tema a la <strong>Lou Reed<\/strong>, especialmente en\u00a0&#8220;I\u00b4m Waiting For The Man&#8221;\u00a0y &#8220;White Light White Heat&#8221;,\u00a0<strong>Bowie<\/strong> nos presenta su versi\u00f3n inglesa sobre la decadencia en la sociedad. Una drag queen y los negocios sexuales en la zona londinense de Greenwich, son la tem\u00e1tica de este gran tema.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/O8oGyGo1q-k?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><b>3. Cracked Actor (Aladdin Sane &#8211; 1973)\u00a0<\/b>En plena conquista de ambos lados del Atl\u00e1ntico durante su faceta <strong>Ziggy Stardust, Bowie<\/strong> nos presenta un gran track en uno de sus mejores discos. La arm\u00f3nica de <strong>Bowie<\/strong>, la influencia de <strong>Marc Bolan<\/strong> y el blues rasposo de <strong>Ronson<\/strong>,\u00a0retratan perfectamente la decadencia del show business Hollywoodense. Referencias sexuales como <em>Suck, baby suck, give me your head o you\u00b4ve made a bad connection cause i just want your sex <\/em>hablan por s\u00ed mismas. Gran canci\u00f3n.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/zkEvAvIGK-w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><b>4. 1984 (Diamond Dogs \u2013 1974) <\/b>Inspirada en la gran novela de <strong>George Orwell<\/strong> y al ritmo de funk y soul,\u00a0<strong>Bowie<\/strong> nos da un complemento de la visi\u00f3n orwelliana sobre la prohibici\u00f3n, censura y control de un estado totalitario.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/gH9WnSOISv0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><b>5. Right (Young Amercans \u2013 1975) <\/b>Dejando de lado la faceta glam e influenciado por el soul y funk americano, <strong>Bowie<\/strong> nos presenta lo que sabe hacer mejor: absorber influencias y hacerlas suyas con un sonido \u00fanico. Un track exquisito \u2013influenciado principalmente por <strong>James Brown<\/strong>\u2013\u00a0que f\u00e1cilmente podr\u00eda estar en una compilaci\u00f3n del g\u00e9nero americano.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/ifIi6ewkFvs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>6. Wild Is The Wind<\/strong><b><strong>\u00a0(Tiomkin\/Washington) (Stay &#8211; 1976)<\/strong> \u00a0<\/b>Un gran cover de la canci\u00f3n que hiciera famosa <strong>Johnny Mathis<\/strong> en 1956 y que <strong>Nina Simone<\/strong> reinterpretar\u00eda m\u00e1s tarde. &#8220;Wild is The Wind&#8221; es sin duda una de la cartas m\u00e1s fuertes de <strong>Bowie <\/strong>en cuanto a interpretaci\u00f3n vocal donde el artista lleva la canci\u00f3n a otros niveles gracias a los tonos sombr\u00edos caracter\u00edsticos del ingl\u00e9s. Una joya.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/pMICp0gwZic?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>7.\u00a0<\/strong><strong>Subterraneans (Low\u2013 1976) <\/strong>De su per\u00edodo m\u00e1s experimental, interesante e introspectivo y como residente en Berl\u00edn, llega &#8220;Subterraneans&#8221; del magn\u00edfico \u00e1lbum,\u00a0<em>Low<\/em>. Inspirada en los ciudadanos de Berl\u00edn oriental, <strong>Bowie<\/strong> comenta: &#8220;quedaron atrapados despu\u00e9s de la construcci\u00f3n del muro&#8221;. Un track claustrof\u00f3bico\u00a0y melanc\u00f3lico que retrata como una fotograf\u00eda, un lugar y espacio en el tiempo en el que las condiciones pol\u00edticas y sociales no eran las m\u00e1s adecuadas. Con un \u00a0gran sax y la t\u00e9cnica cut-up de\u00a0<strong>William\u00a0Burroughs<\/strong> como influencia para la letra, &#8220;Subterraneans&#8221; es uno de los tracks obligados de la era Berl\u00edn.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/Yke-c1z8_9Q?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>8.\u00a0<\/strong><b><strong>Neuk\u00f6ln (Heroes\u2013 1977)<\/strong> <\/b>En pleno auge del punk, <strong>Bowie<\/strong> decide una vez m\u00e1s ir en contra de las tendencias y decide enclaustrarse en tierras teutonas para hacer el \u00e1lbum m\u00e1s berlin\u00e9s de la trilogia,\u00a0<em>Heroes<\/em>. &#8220;Neuk\u00f6ln&#8221;\u00a0es otro de los tracks instrumentales de la obra. Con el apoyo del visionario <strong>Brian Eno, Bowie<\/strong> logra \u2013al igual que en &#8220;Subterraneans&#8221;\u2013\u00a0definir un espacio de Berl\u00edn a trav\u00e9s de la m\u00fasica: la regi\u00f3n de Neuk\u00f6ln es un barrio turco en la capital alemana y el sax evocativo del medio oriente se mezcla perfecto con los sonidos europeos del track. Es un gran retrato de Berl\u00edn (los que hayan estado ah\u00ed, sabr\u00e1n de que hablo). Un track atemporal.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/021qiWnL944?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>9.\u00a0<\/strong><b>Blackout (Heroes\u2013 1977) <\/b>La paranoia, cacofon\u00eda y oscuridad se presentan en una gran canci\u00f3n de Heroes donde <strong>Bowie <\/strong>relata visitas al hospital y su adicci\u00f3n al alcohol. Aunque el track tiene estos dotes autobiogr\u00e1ficos, <strong>Bowie<\/strong> niega que la canci\u00f3n se base en eso y comenta que se trata del apag\u00f3n en Nueva York durante 1977 donde la ciudad se qued\u00f3 sin luz por m\u00e1s de 25 horas. Cualquiera que sea la versi\u00f3n, &#8220;Blackout&#8221; es una de las cartas m\u00e1s fuertes del berlin\u00e9s,\u00a0<em>Heroes.<\/em><\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/Uz7vhDHPlyk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>10.\u00a0<\/strong><b>Red Money (Lodger\u2013 1979) <\/b>\u00daltima colaboraci\u00f3n con <strong>Brian Eno<\/strong> por un largo tiempo y una reconstrucci\u00f3n del track de 1976, &#8220;Sister Midnight&#8221; de <strong>Iggy Pop<\/strong> (el cual\u00a0<strong>Bowie\u00a0<\/strong> co-escribi\u00f3 para rescatar comercialmente a su amigo y colaborador).\u00a0<strong>Bowie<\/strong> toma la misma melod\u00eda pero con letras cambiadas que hablan metaf\u00f3ricamente sobre la responsabilidad. Con esta canci\u00f3n, <strong>David\u00a0Bowie<\/strong> terminar\u00eda su trilog\u00eda de Berl\u00edn para dar paso al gran <em>Scary Monsters<\/em> y m\u00e1s tarde el salto a la m\u00fasica mainstream de los a\u00f1os ochenta.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/lp61NjGYh6k?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1140\" height=\"642\" src=\"https:\/\/www.youtube.com\/embed\/N4iksr4RAvc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>Texto:\u00a0ADLG<\/strong><\/p>\n<p><strong>Referencia: Pegg, Nicholas (2009). The Complete David Bowie<\/strong><\/p>\n<p><strong>Referencia:\u00a0Seabrook, Thomas Jerome (2008). Bowie in Berlin: A New Career In A New Town<\/strong><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Bowie ha regresado despu\u00e9s de 10 a\u00f1os de silencio art\u00edstico y como homenaje, una revisi\u00f3n a su obra: Es imposible seleccionar \u00fanicamente 10 tracks en un artista tan prol\u00edfico, propositivo, conceptual, irreverente y camale\u00f3nico como David Bowie pero aqu\u00ed encontrar\u00e1n algunas de sus mejores obras del periodo de 1970 a 1979; el cual es, &#8230;<\/p>\n","protected":false},"author":1,"featured_media":200,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[784,783,6,7],"tags":[22,29,52,78,108,112,218,222],"class_list":["post-195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","category-espanol","category-listas","category-musica","tag-berlin","tag-brian-eno","tag-david-bowie","tag-iggy-pop","tag-lou-reed","tag-marc-bolan","tag-william-burroughs","tag-ziggy-stardust"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ 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