{"id":1744,"date":"2014-01-06T13:13:07","date_gmt":"2014-01-06T19:13:07","guid":{"rendered":"http:\/\/www.thesenseofdoubt.com\/?p=1744"},"modified":"2016-12-09T17:05:55","modified_gmt":"2016-12-09T17:05:55","slug":"resena-nick-cave-the-bad-seeds-live-from-kcrw","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/resena-nick-cave-the-bad-seeds-live-from-kcrw\/","title":{"rendered":"Nick Cave & The Bad Seeds \u2013 Live From KCRW"},"content":{"rendered":"

<\/p>\n

NICK CAVE & THE BAD SEEDS<\/strong><\/h2>\n

LIVE FROM THE KCRW<\/strong><\/h2>\n

 <\/p>\n

Texto publicado originalmente para Afterpop.tv<\/a>\u00a0el\u00a006\/01\/2014<\/strong><\/p>\n

La prol\u00edfica y vers\u00e1til carrera de\u00a0Nick Cave<\/b>\u00a0ha sido una espiral de introspecci\u00f3n, apego y fascinaci\u00f3n por las letras que se funde con la belleza de su m\u00fasica como conductor y acompa\u00f1ante de un viaje en el que solo pesos pesados de la categor\u00eda de\u00a0Bob Dylan, Leonard Cohen, Neil Young\u00a0<\/b>o\u00a0Tom Waits<\/b>\u00a0podr\u00edan competir. El sonido endemoniado de sus primeras entregas y la balada que abraza a la poes\u00eda l\u00fagubre del autor como verdugo, han estado cubiertos de un mensaje revelador que se centra en la b\u00fasqueda de sentido, en el amor y la muerte, y en cuestionamientos b\u00edblicos que marcan el eje central de un discurso explorado con sapiencia y con distintos matices por casi 40 a\u00f1os.<\/p>\n

\"NICK<\/a><\/p>\n

Atr\u00e1s qued\u00f3 el\u00a0Nick Cave<\/b>\u00a0transgresor, furioso y violento que llev\u00f3 a la m\u00fasica, de la mano de\u00a0The Birthday Party,<\/b>\u00a0a un nivel de crudeza e inclemencia pocas veces explorado. Lo mismo pas\u00f3 en los primeros trabajos con\u00a0The Bad Seeds<\/b>, esa pandilla de malvivientes con la habilidad de concebir un sonido que parece haber sido sacado de las puertas del infierno o de evocar una balada tan bella que, al unirse a la siniestra voz del australiano, lleva a quien la escucha a estados de aut\u00e9ntica contemplaci\u00f3n. El\u00a0Nick<\/b>\u00a0Cave\u00a0<\/b>confundido, lleno de excesos y autodestrucci\u00f3n, se ha transformado en un sabio bien vestido que transita en paz y que, con la ayuda de la balada oscura como su acompa\u00f1ante, funge como sanador para los que se estancan en los pasajes m\u00e1s l\u00fagubres del alma.<\/p>\n

Esta contemplaci\u00f3n que ha llevado a\u00a0Cave<\/b>\u00a0a conciliar con sus demonios internos, busca lugares evocadores y atm\u00f3sferas reflexivas que marcan el patr\u00f3n de\u00a0Live From KCRW<\/i>, su segunda entrega del a\u00f1o despu\u00e9s del fant\u00e1stico\u00a0Push The Sky Away<\/i>, esa bella colecci\u00f3n de temas que obligan a poner incesantemente la aguja en el vin\u00edl.<\/p>\n

Parece que la salida definitiva de\u00a0Mick Harvey<\/b>, su mano derecha durante mucho tiempo, no merm\u00f3 las capacidades creativas de\u00a0Cave\u00a0<\/b>y sus\u00a0malas semillas<\/i>. La importancia y vigencia del piano, el viol\u00edn y el \u00f3rgano como sus incondicionales en esta entrega grabada para la estaci\u00f3n de radio californiana muestran el camino en este cuarto \u00e1lbum en vivo, donde la voz de\u00a0Cave<\/b>\u00a0se desnuda con categor\u00eda ante el talento de su pandilla de malvivientes.<\/p>\n

La selecci\u00f3n de canciones contiene las bell\u00edsimas \u201cHiggs Boson Blues\u201d, \u201cWidely Lovely Eyes\u201d, \u201cMermaids\u201d y \u201cPush The Sky Away\u201d de su \u00faltima entrega. A su vez ofrece una revaloraci\u00f3n de algunos de los temas m\u00e1s \u00edntimos de su carrera: del fant\u00e1stico e introspectivo \u00e1lbum de 1997,\u00a0Boatman\u00b4s Call<\/i>, llega el pesimismo de \u201cPeople Ain\u00b4t No Good\u201d y\u00a0<\/i>la desesperanzadora \u201cFar From Me\u201d cuyo viol\u00edn a cargo de\u00a0Warren Ellis<\/b>\u00a0sirve de soporte para la desgarradora voz de\u00a0Cave\u00a0<\/b>quien, a sus 56 a\u00f1os, se escucha mejor que nunca.<\/b>Una interpretaci\u00f3n menos oscura de la espectacular \u201cStranger Than Kindness\u201d de su placa de 1986 y \u201cAnd No More Shall We Part\u201d de 2001, terminan por cautivar y obligan a desempolvar esos grandes discos para buscar las respuestas que\u00a0Cave<\/b>\u00a0nos ofrece en cada una de sus obras.<\/p>\n

Las sorpresas de\u00a0Live From KCRW<\/i>\u00a0corresponden a dos grandes de su cat\u00e1logo: \u201cThe Mercy Seat\u201d, en una versi\u00f3n reinterpretada de manera \u00fanica como balada que parece haber dejado atr\u00e1s el hospital mental donde pudo ser concebida hace 25 a\u00f1os. En esta versi\u00f3n la bater\u00eda dolorosa, el piano desquiciante, la voz paranoica y las guitarras espeluznantes se omiten para dar paso a un ejercicio convencional de piano y viol\u00edn m\u00e1s sensato, llevando al tema por un camino menos espinoso. La otra sorpresa la da una reinterpretaci\u00f3n m\u00e1s cruda de \u201cJack The Ripper\u201d, la \u00fanica que puede perturbar el estado de contemplaci\u00f3n que se ha generado despu\u00e9s de escuchar las nueve pistas anteriores del disco.<\/p>\n

Entra en los pasajes m\u00e1s l\u00fagubres del alma y dale una oportunidad a\u00a0Live From KCRW<\/i>. La edici\u00f3n en vin\u00edl doble viene con dos\u00a0<\/i>canciones adicionales: una de sus grandes joyas, \u201cInto My Arms\u201d y el g\u00f3spel de \u201cGod is in the House\u201d.<\/p>\n

Alejandro-<\/strong><\/h4>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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