{"id":1312,"date":"2013-12-09T19:04:40","date_gmt":"2013-12-10T00:04:40","guid":{"rendered":"http:\/\/thesenseofdoubt.wordpress.com\/?p=1312"},"modified":"2016-12-10T22:41:45","modified_gmt":"2016-12-10T22:41:45","slug":"david-bowie-rating-y-guia-discografica-en-pocas-palabras-1967-1978","status":"publish","type":"post","link":"http:\/\/box2305.temp.domains\/~thesent5\/david-bowie-rating-y-guia-discografica-en-pocas-palabras-1967-1978\/","title":{"rendered":"David Bowie: Rating y gu\u00eda discogr\u00e1fica en pocas palabras (1967 -1978)"},"content":{"rendered":"

<\/p>\n

DAVID BOWIE: RATING Y GU\u00cdA DISCOGR\u00c1FICA EN POCAS PALABRAS (1967 -1978)<\/h2>\n

2013 es el a\u00f1o indiscutible de David Bowie<\/strong>. Ninguna noticia en el a\u00f1o fue tan importante como el regreso del genio londinense con la gran “Where Are We Now?”.\u00a0<\/em>Desde las distintas ediciones de The Next Day<\/strong>, \u00a0la exhibici\u00f3n\u00a0como celebraci\u00f3n a su obra en el\u00a0Victoria & Albert Museum <\/strong>de Londres\u00a0(la m\u00e1s concurrida en la historia del museo), las preciadas ediciones limitadas (<\/em>500 copias)<\/em>\u00a0de su discograf\u00eda \u00a0en\u00a0vinil\u00a0de color, los videos, los libros, los rumores, la especulaci\u00f3n de su regreso a los escenarios, su colaboraci\u00f3n con la firma,\u00a0Louis\u00a0Vuitton<\/strong>, The Next Day Extra<\/strong> y un largo etc\u00e9tera, marcan el regreso del artista\u00a0brit\u00e1nico\u00a0m\u00e1s\u00a0importante en los \u00faltimos 40 a\u00f1os.<\/p>\n

A manera de introducci\u00f3n y como una gu\u00eda b\u00e1sica, aqu\u00ed una descripci\u00f3n en pocas palabras de sus 13 discos de estudio\u00a0durante\u00a01967 y 1978, per\u00edodo que marca lo mejor de su obra.<\/em><\/p>\n

RATING: <\/strong><\/p>\n

*\u00a0<\/strong>= Om\u00edtelo \u00a0 \u00a0**= Para muy fans \u00a0 \u00a0 \u00a0*** = Desc\u00fabrelo \u00a0 \u00a0 **** = Classic Bowie \u00a0 \u00a0 ***** = Indispensable<\/p>\n

1.DAVID BOWIE – DAVID BOWIE (1967) **1\/2 <\/strong><\/p>\n

\u00a0<\/strong>El an\u00f3nimo, la confusi\u00f3n y\u00a0los tiempos dif\u00edciles.<\/p>\n

\"bowie1967\"<\/a><\/p>\n

2.DAVID BOWIE – SPACE ODDITY (1969) ***1\/2<\/strong><\/p>\n

La psicodelia, el inicio de la alianza con\u00a0Visconti<\/strong>, Kubrick<\/strong>, la ciencia ficci\u00f3n y el primer himno.<\/p>\n

\"cover_30211919112009\"<\/a><\/p>\n

3.DAVID BOWIE – THE MAN WHO SOLD THE WORLD (1970) ****\u00a0<\/strong><\/p>\n

El principio de la androginia, Nietzsche<\/strong>, el \u00e1lbum pesado, Ronson<\/strong> y sus guitarras.<\/p>\n

\"MI0001706703\"<\/a><\/p>\n

4.DAVID BOWIE – HUNKY DORY (1971) *****<\/strong><\/p>\n

El piano, el primer gran cl\u00e1sico, el \u00e1lbum “gay”, Dylan, The Velvet Underground, Warhol, <\/strong>“Pork”<\/em> y la obsesi\u00f3n con las calles de Nueva York.<\/p>\n

\"MI0001669470\"<\/a><\/strong><\/p>\n

5.DAVID BOWIE – THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS (1972) *****<\/strong><\/p>\n

La fama, el glam, el alter-ego, la consumaci\u00f3n de las influencias, el histrionismo, la mezcla de teatralidad y rock, la cr\u00edtica acida a la sociedad occidental, \u00a0los tributos a\u00a0Lou Reed, Marc Bolan<\/strong> y\u00a0el homenaje a su \u00eddolo, futuro amigo y colaborador, Iggy Pop.<\/strong><\/p>\n

\"MI0001507428\"<\/a><\/p>\n

6. DAVID BOWIE – ALADDIN SANE (1973) *****
\n<\/strong><\/p>\n

La reinvenci\u00f3n de un nuevo alter-ego,”Ziggy goes to America”, la portada cl\u00e1sica, el piano de Mike Garson<\/strong>, la fascinaci\u00f3n por Estados Unidos, la extravagancia, las letras decadentes, la crudeza del sonido y\u00a0The Rolling Stones.<\/strong><\/p>\n

\"MI0001691417\"<\/a><\/strong><\/p>\n

7. DAVID BOWIE – PIN UPS (1973) **<\/strong><\/p>\n

Los covers, los tributos, \u00a0la tensi\u00f3n, su obra m\u00e1s floja de la d\u00e9cada.<\/p>\n

\"MI0000157742\"<\/a><\/p>\n

8. DAVID BOWIE – DIAMOND DOGS (1974) ***<\/strong><\/p>\n

\u00daltimo destello glam, un nuevo alter-ego:\u00a0Halloween Jack<\/strong>, la partida de Mick Ronson<\/strong>, el proyecto frustrado a “1984” de\u00a0George Orwell<\/strong>, las t\u00e9cnicas “cut-up” de William Burroughs<\/strong>, el principio de la adicci\u00f3n a la coca\u00edna.<\/p>\n

\"MI0001486372\"<\/a><\/p>\n

9. DAVID BOWIE – YOUNG AMERICANS (1975)***1\/2<\/strong><\/p>\n

Nueva reinvenci\u00f3n y el desapego de la teatralidad, el \u00e1lbum que triunf\u00f3 en Estados Unidos, el soul y el funk como influencia, Carlos Alomar, Lennon<\/strong>, la destrucci\u00f3n por coca\u00edna y el comienzo de la paranoia.<\/p>\n

\"MI0002076469\"<\/a><\/p>\n

10. DAVID BOWIE – STATION TO STATION (1976) *****<\/strong><\/p>\n

El disco arriesgado, la obra oscura, un nuevo alter-ego: “The Thin White Duke”, el \u00e1lbum serio, la libertad art\u00edstica, el desapego del Rock, el principio de la rehabilitaci\u00f3n y “la s\u00faplica por regresar al sonido europeo”.<\/p>\n

\"MI0001400427\"<\/a><\/p>\n

11. DAVID BOWIE – LOW (1977) *****<\/strong>*****<\/strong><\/p>\n

El disco de\u00a0Bowie<\/strong>\u00a0que todos deber\u00edan tener.\u00a0La joya llamada err\u00f3neamente “el primero de la trilog\u00eda de Berl\u00edn”, el regreso a Europa, el multi instrumentista, la experimentaci\u00f3n, el clandestino, el mapa sonoro que pudo haber sido el soundtrack de “The Man Who Fell The Earth”, el apoyo y recuperaci\u00f3n mutua con\u00a0Iggy Pop, <\/strong>la influyente colaboraci\u00f3n con Brian Eno<\/strong>, la fascinaci\u00f3n por el Krautrock, el avant-garde, el \u00e1lbum que sent\u00f3 las bases del post-punk, el new-wave, la m\u00fasica electr\u00f3nica de los 80s, el rock industrial y la m\u00fasica ambiental. El disco diferente en el momento que todos quer\u00edan hacer punk.<\/p>\n

\"MI0000234060\"<\/a><\/p>\n

12. DAVID BOWIE – HEROES (1977) *****<\/strong>*****<\/strong><\/p>\n

El album berlin\u00e9s, la perfecci\u00f3n, Robert Fripp, Eno<\/strong>, el retrato de una ciudad dividida, la influencia japonesa, el art-rock europeo, el indispensable, el cl\u00e1sico atemporal, la ambig\u00fcedad lirica, el himno.<\/p>\n

\"MI0001851577\"<\/a><\/p>\n

13. DAVID BOWIE – LODGER (1978) ****<\/strong><\/p>\n

El m\u00e1s accesible de la “trilog\u00eda de Berl\u00edn”, la carta de despedida (por mucho tiempo) de Eno<\/strong>, los bocetos reinventados de Heroes y Low<\/em>, la celebraci\u00f3n al multiculturalismo, el experimento convencional.<\/p>\n

\"MI0000234068\"<\/a><\/p>\n

Para interesados en los detalles y la obra completa de Bowie<\/strong>, lee la gran compilaci\u00f3n de Nicholas Pegg, “<\/strong>The Complete David Bowie” (http:\/\/goo.gl\/B4NMwx)\u00a0<\/strong>que sirve como enciclopedia de TODO lo que ha hecho el camale\u00f3n.<\/p>\n

Alejandro-<\/strong><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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